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home up coming events about membership join the colour group renew membership patrons honorary members awards early career awards honour awards newton medal turner medal colour information colour links notes on presentations miscellaneous past officers past meetings group publications administration stuff photo albums next events: colour meetings this summer sponsored by the cg(gb): international colour vision society summer school monday to friday 30 july to 03 august 2018 pembroke college, oxford gruppo del colore - xiv colour conference tuesday to wednesday 11-12 september 2018 florence the next local event is: some colourful words wednesday 03 october 2018 city university london, london, ec1v 0hb words in colour and in poetry inspired by colour details will appear later this summer recent events: 16th international symposium on the science and technology of lighting monday to friday 17-22 june 2018 university of sheffield the supported a session on colour science and technology at the symposium. the goal of the session was to bring experts in the domain of human colour vision and colour perception to this interdisciplinary conference and facilitate interactions with the professionals from the lighting industry. the speakers were annette allen (university of manchester), sophie wuerger* (university of liverpool), sebastian babilon (technical university darmstadt), danny garside* (university college london), luke price (public health england), andrew stockman* (university college london) and john barbur* (city, university of london). manuel spitschan* (university of oxford) was the session chair. ( members indicated with *). many of the slides were colourful like the top image from john barbur. the presenters pictured were annette allen ( above left ) and ( above right ) luke price. also presenting were danny garside ( below left ) and sebastion babilon ( below right ). and as the bottom image shows, the presenters' enthusiasm was maintained by sophie wuerger colour in its place & agm wednesday 02 may 2018 city university, london after the agm, which for the first time in many years involved a ballot for an officer post, andrew hanson of the npl, teddington, delivered a most entertaining and thought provoking talk. what are the primary colours? what do you see in different situations? he managed to catch out most of the great and the good of the colour group present with some apparently most simple questions that are, in fact, not at all simple to answer. the audience retired to the tea to discuss the impications of andrew's questions. below left is a photo of andrew and a colourful bouquet - lovely! on the right above is a photo of a dusty mirror especially brought in by a member to intrigue people over tea, ordinary mirror, ordinary white torch, ordinary dust - but note, the coloured bands. our member, ed, offers the following explanation: when i chanced upon a dusty mirror in a charity shop i immediately bought it, strongly insisting it wasn't to be wiped clean or wrapped! i wanted to use it for demonstrating a colourful interference pattern named after the astronomer adolphe quetelet, who observed the phenomenon and explained its formation. quetelet rings arise from interference of the light that is first scattered by a particle and then reflected by the surface, with the light that gets first reflected and then scattered by the particle. contributions of these two paths to the scattering differ by a phase factor that depends on the wavelength and the angles of light incidence and scattering. depending on the phase difference, these contributions may interfere constructively (contributing to a white band) or destructively (contributing to a black band). in the case of illumination by white light the patterns produced by different wavelengths are slightly misaligned with each other and that results in a colouring of the rings. the pattern requires a mirror with the reflecting surface on the back, which is the case for ordinary glass mirrors. i sprinkle on talcum powder and smear it over the surface. wikipedia has a video demonstrating quetelet rings as seen on a mirror covered in flour while a flashlight is moved around the observer. colour in art wednesday 04 april 2018 city university, london anne jackson started the afternoon by describing her fascination with whitchcraft inspired by the records of whitch trials. she developed a form of knotted tapestry and showed many examples of these, the first being of a flying whitch and the magic word, derived from the arabic, that everybody knows. she went on to show tapestries of whitches, their fates and their familiars. and some rather scray stuff too. philip o'reilly, who had organised the event, was the middle speaker and described his extensive tour of turkey where he studied how traditional methods, though simple, made wonderful carpets. he sketched, painted and wove his way around the counrty and has subsequently experimented with felting and more recently many different kinds of textiles and holographic foils. margot selby described her development from art student to a professional fabric designer working for well known international companies. she showed some of the sources of her inspiration ( see below ) and admitted that she was always striving to make creative art with coloured fabrics but that designing for the commercial world paid the bills. she has recently developed a series of designs which when framed under glass were clearly more art than commercial ( below right ). third international conference - colour in film monday-wednesday 19 - 21 march 2018 bfi southbank & birkbeck, london the annual conference colour in film continues to grow in popularity and was a complete sellout before the opening. the uk premiere of the newly restored 1943 film of josef von báky münchhausen, part of the conference programme, also sold out. the conference was opened by elza tantcheva-burdge and ulrich ruedel. the keynote speaker was giovanna fossati reviewing research into the colours of silent cinema. the bfi shop organised a signing session for her book at the end of day1. the delegates were given plenty of networking opportunities at the reception in the blue room of the bfi southbank during day 2 and day 3 there was a two-day workshop organised by barbara flueckiger and the rest of the team from the filmcolors project. the keynote speaker this year was mike pointer. he spoke on the theme of colour spaces and colour appearance and was followed by a talk on colour processing in digital motion picture cameras presented by harald brendel of arri and a report on the progress of the project led by sarah street – eastman colour revolution and british cinema. this last session was also the 's contribution to the celebration of the international colour day. news colours for race horses i guess we all know jockeys on race horses wear coloured tunics (pictured here are the queen's registered silks) - but what was the origin of all these colours? thanks to the daily mail we know a bit more: racing silks first appeared in britain in 1515 when henry viii was on the throne. the frequency of race meetings and the number of horses in each race led to confusion, so in 1762, the english jockey club at newmarket requested that owners submit specific colours for their jacket and cap. there are 18 basic colours that can be used in conjunction with 27 jackets and nine cap designs. shapes and patterns may also be used, such as checks, diamonds, cross-belts, crosses and circles, together with epaulets and braiding. however, the jockey's breeches must always be white. to ensure the design is unique and has not been assigned to someone else, racehorse owners have to register their chosen design of silks with the jockey club and weatherbys.... colours can be registered for a year, five years, ten years or life. unlike horses' names, they can be taken by someone else if you cancel your registration. if the owner ha

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